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By Robert Mayer

Walter Scott and Fame is a research of correspondences among Scott and socially and culturally different readers of his paintings within the English-speaking global within the early 19th century. interpreting authorship, studying, and status, the e-book is predicated on large archival examine, particularly within the choice of letters to Scott within the nationwide Library of Scotland. Robert Mayer demonstrates that during Scott's literary correspondence structures of authorship, analyzing thoughts, and types of repute are posited, even theorized. Scott's reader-correspondents make investments him with energy yet additionally they try to faucet into or acceptable a few of his authority. Scott's model of authorship units him except vital contemporaries like Wordsworth and Byron, who adhered, not less than as Scott seen the problem, to a rarefied notion of the author as an individual possessed of striking strength. the assumption of the writer installed position through Scott in discussion along with his readers establishes him as a strong determine who's however topic to the need of his viewers. Scott's literary correspondence additionally demonstrates that the reader could be a very robust determine and that we should always regard studying not only because the reception of texts but additionally because the apprehension of an author-function. therefore, Scott's correspondence makes it transparent that the connection among authors and readers is a dynamic, frequently fraught, connection, which should be understood when it comes to the recent tradition of big name that emerged in the course of Scott's operating existence. in addition to Byron, the examine indicates, Scott was once on the centre of this transformation.

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Extra resources for Walter Scott and fame : authors and readers in the romantic age

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Leo Braudy describes the early modern period (including the eighteenth century, up to the careers of such illustrious men of the early nineteenth century as Byron, Napoleon, and Scott) as the site of a great transformation in conceptions of fame. ”76 Scott, as we have seen, embraced and even reveled in his fame. 78 71 Braudy, Frenzy, 350, 361. 72 Ibid. 362, 363. 73 Ibid. 381. 74 Ibid. 425. 75 Ibid. 403, n. 10, where Braudy quotes Peter Quennell, Byron: Years of Fame (1967), 276. 76 Braudy, Frenzy, 401, 403, 402.

Leo Braudy describes the early modern period (including the eighteenth century, up to the careers of such illustrious men of the early nineteenth century as Byron, Napoleon, and Scott) as the site of a great transformation in conceptions of fame. ”76 Scott, as we have seen, embraced and even reveled in his fame. 78 71 Braudy, Frenzy, 350, 361. 72 Ibid. 362, 363. 73 Ibid. 381. 74 Ibid. 425. 75 Ibid. 403, n. 10, where Braudy quotes Peter Quennell, Byron: Years of Fame (1967), 276. 76 Braudy, Frenzy, 401, 403, 402.

S cott ’ s L iterary C orrespondents The heart of this study of authorship, reading, and fame is an extended examination of the four classes of Scott’s correspondents identified above: intimates, colleagues, clients, and fans. In addition to describing constructions of the author and the reader as well as the link between the two, as I explore each class and the exchanges between representatives of those classes and Scott, I keep the rhetoric of literary correspondence clearly in view. 89 Scott’s correspondents address him using language and epistolary postures that provide the basis—moral, affective, intellectual—for their approaching him and even, at times stipulate an anticipated response.

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