The overseas luck of Downton Abbey has ended in a revived curiosity in interval dramas, with older courses like The Forsyte Saga being rediscovered through a brand new iteration of lovers whose tastes additionally contain grittier fare like Ripper Street. even though usually criticized as a sort of escapist, conservative nostalgia, those indicates may also supply a lens to ascertain the category and gender politics of either the earlier and present.
In Upstairs and Downstairs: British gown Drama tv from The Forsyte Saga to Downton Abbey, James Leggott and Julie Anne Taddeo supply a set of essays that study key advancements within the historical past of interval dramas from the overdue Sixties to the current day. members discover such concerns as how the style fulfills and disrupts notions of "quality television," the method of model, the connection among united kingdom and U.S. tv, and the relationship among the interval drama and wider advancements in television and pop culture. extra essays research how lovers form the content material and reception of those dramas and the way the style has articulated or generated debates approximately gender, sexuality, and sophistication. as well as Downton Abbey and Upstairs, Downstairs, different courses mentioned during this assortment contain Call the Midwife, Danger UXB, Mr. Selfridge, Parade's End, Piece of Cake, and Poldark. Tracing the lineage of dress drama from landmark productions of the past due Sixties and Nineteen Seventies to a few of the main talked-about productions of modern years, Upstairs and Downstairs should be of price to scholars, lecturers, and researchers within the components of movie, tv, Victorian reviews, literature, gender stories, and British historical past and tradition.
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Extra resources for Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey
I am a big fan of your show ‘Mad Science’, and I wondered if you had any vacancies for a junior researcher/runner on the next series? I phoned your office, and your assistant told me that production starts in January. I have lots of ideas for items - for instance, have you thought about thixotropic liquids? Custard would make a great demo: when you stir it quickly, it becomes so thick that you can’t move the spoon, but when you stir it gently, the spoon glides through the liquid. So, if you had enough custard, you should be able to run on it - the custard should solidify at the point where your feet hit the surface (as long as you move fast enough, and with enough force).
Point three Your letter must be well-written. If you do get a job as a researcher, you will be expected to be able to write: letters to contributors, briefing notes, treatments, billings, and even scripts. A clumsy, badly punctuated letter is not a good advertisement for your writing skills. Point four And finally, be enthusiastic. Science producers are looking for people who are passionate about popular science. Documentary producers want people who are passionate about documentaries. Children’s producers want researchers who are passionate about children’s programmes.
And please resist the temptation to talk yourself up (I know you wouldn’t do anything like that, but it’s worth saying anyway). Producers have heard it all before – whatever it is. Point three Your letter must be well-written. If you do get a job as a researcher, you will be expected to be able to write: letters to contributors, briefing notes, treatments, billings, and even scripts. A clumsy, badly punctuated letter is not a good advertisement for your writing skills. Point four And finally, be enthusiastic.