By Betty White
"I reread Betty White in individual and that i was once involved, naturally―because it used to be approximately ME. yet i used to be additionally intrigued by way of my viewpoint of television twenty-five years in the past, little dreaming that this outdated extensive may nonetheless be putting round and nonetheless be within the similar enterprise, and conversing approximately an digital version of this book!” this can be the 1st publication Betty White wrote via herself, and was once written in the course of the moment season of "The Golden Girls." She stocks in regards to the humans she have been closest to, approximately what during this global makes her chortle, what makes her cry, what she hates and what she loves. during this publication you can find that the lady in the back of the endearing famous person has continuously been one and an analogous, that her singular radiance of power and exuberance springs from an unlimited and beneficiant middle, and that the girl is usually quite modestly wicked-smart, an element which has performed no small position in her skill to make us chuckle so demanding and for therefore lengthy. BETTY WHITE IN individual has continually been an excellent e-book yet now it's a treasure, a testomony to Betty’s perception and instinct approximately how the previous can form a person’s future—her destiny, as a author, actress, animal lover and as a logo of all that's correct with the United States.
This version has a brand new advent by way of Betty.
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All three parts jointly explore the film’s underlying value system, and in particular its conceptualization of law and justice, dignity, recovery, reconciliation, gender roles, intimacy, and personal relations. The chapter also scrutinizes the film’s feminist—including feminist jurisprudential—attitudes and touches on the comparison between the legal process and a truth and reconciliation process. Ariel Dorfman’s powerful play Death and the Maiden is the basis of Roman Polanski’s film of the same title.
Thanks to this narrative structure, the film version of A Civil Action, marketed as a story about how “one dedicated soul can make a difference,” tells a very different legal story than does the book that inspired it. The film revolves around Schlictmann’s moral transformation rather than on the political struggles and community agitations of the afflicted families. By depicting the personal injury lawyer as a heroic character struggling on behalf of sympathetic victims, the film effectively challenges popular notions of personal injury law.
This re-externalization of the event can occur and take effect only when one can articulate and transmit the story, literally transfer it to another outside oneself and then take it back inside again. 29 The therapeutic process of narration, constitution, and reclaiming of the traumatic memory, Dr. Laub asserts, manifests itself in testimony. To testify is to narrate and create a memory, thus framing the traumatic experience within a distinct time and place and escaping its totality. Testimony, Laub stresses, is not a private, solitary process; it requires audience, community, a human reality that is external to the testifying victim.